Landscape+Architecture: Abstract Experiments with Pigment Sticks, Oil Paint, Wax and Paper with Sara Post
A 3-day workshop with lunch included each day / $475.00
Landscape and our relationship to it is a powerful theme in contemporary abstraction. The Benicia Arsenal offers a unique combination of landscape—sky and water worlds, and architecture, massive buildings and boats. Inspired by the land and our architectural interactions with it, workshop participants will use beautiful materials to focus on color and placement of abstract elements in order to express powerful thematic ideas. We’ll blend and combine soft pigment sticks with oil paint, wax and other mediums. Working on paper provides options not available on other surfaces while allowing flexibility and permission to break new ground. Economical and effective presentation ideas for finished work will be demonstrated. Open your imagination and come ready to explore and enhance your own artwork with “strategies to create miracles”.
A New Lens: Working with Abstraction with Louise Victor
Two full days of instruction with lunch included both days. / $330.00
We briefly trace the history of abstraction, beginning with Hilma von Klint, who was the first abstractionist, through Kandinsky, Mondrian, Gorky and the Abstract Expressionist to modern abstraction.
Through drawing experiments, we learn how to find forms and structure for our abstractions. There are several techniques for doing this, which I demonstrate. Participants will experiment and play with these methods over the two days, leading to a firm development of a personal formal vocabulary.
We also discuss the ways in which we can describe space and movement within the abstraction. Using different techniques such as: overlap, negative space, texture and color, the two days culminate by painting vibrant, exciting abstractions with solid structure and intention.
We’ll start by an introduction and discussion/slides/photos, followed by demonstrating different ways of achieving abstraction: cut and paste, different perspectives and scale, following the line, drawing the negative and working within a structure.